![]() ![]() But while God has almost certainly forsaken this movie, He wouldn’t have been much needed around it anyway. Her sophomore feature (following Raw) is, in the inimitable words of The Playlist's Jessica Kiang, “roughly seven horror movies plus one bizarrely tender parent-child romance soldered into one machine and painted all over with flames: it’s so replete with startling ideas, suggestive ellipses, transgressive reversals and preposterous propositions that it ought to be a godforsaken mess. Still, many reviewers liked the new film, and while director Julia Ducournau may or may not be a provocateur, she is definitely a Palme d’Or winner-and just the second female recipient of the award in its history. And Titane is even more of a violent horror film than Parasite, which should effectively disqualify it from the best picture race. It doesn't seem likely, given that praise for the film is far less uniform than that for Parasite, which finished 2019 as that year's highest-scoring film. ![]() Major award winnersĪt the previous Cannes two years ago, Parasite took home the Palme d'Or on its way to becoming just the third Cannes winner in history to go on to win the best picture Oscar. First, however, here's a closer look at this year's award winners. Which films actually did impress reviewers the most? Below, find out what film critics have been saying about all of this year's notable Cannes debuts (including out-of-competition premieres), divided into three categories-great, good, and everything else-based on the critical consensus. The second- and third-place awards were each split between two films, but even with the extra winners some of the festival's best-reviewed titles were denied top awards. The jury named Titane, the highly stylized, violent, and polarizing second film from Raw director Julia Ducournau, the Cannes winner despite good rather than great reviews. And it resulted in just the second woman to win the Palme d'Or in Cannes history, following Jane Campion's groundbreaking win (for The Piano) way back in 1993. Many of their films received a strong reception from critics, but the Spike Lee-led Cannes jury came to its own conclusion about the best film at the festival. That's certainly an improvement over the 73rd installment, which was canceled altogether in the early days of the pandemic.Īnd there were certainly plenty of films debuting within those 12 days to whet the appetites of film fans seeking new and interesting fare, including the latest films from notable directors Wes Anderson, Andrea Arnold, Kogonada, Apichatpong Weerasethakul, Gaspar Noé, Leos Carax, Paul Verhoeven, Joachim Trier, Sean Baker, and Mia Hansen-Løve. Though it missed its original May window, the 74th Annual Cannes FIlm Festival managed to complete its 12-day run on Saturday.
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